Silverfast Ai Studio 8 Serial
This release was created for you, eager to use Silverfast German full and with without limitations. Our intentions are not to harm Silverfast software company but to give the possibility to those who can not pay for any piece of software out there. This should be your intention too, as a user, to fully evaluate Silverfast German without restrictions and then decide. If you are keeping the software and want to use it longer than its trial time, we strongly encourage you purchasing the license key from Silverfast official website. Our releases are to prove that we can! Nothing can stop us, we keep fighting for freedom despite all the difficulties we face each day.
SilverFast Ai Studio 8: This version is made for professional photographers and advanced users, and is the professional version. It is fully functional and has all the features, even for the highest demands. SilverFast HDR also has an own serial number. Those who buy SilverFast HDR as a bundle with the scansoftware SilverFast can sell. In many ways, LaserSoft Imaging's SilverFast Ai Studio 8 ($299 to $449, depending on the scanner model) is the Photoshop of scan utilities. I mean that in both a good and a bad way.
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Silverfast Ai Studio 8 Download
Digital Ice and similar dust and scratch cleanup tools for scanning color negative and non-Kodachrome slides was a boon for those looking to archive/digitize their film files. This software/hardware solution worked with numerous scanners by isolating the offending dust and scratches on a separate infrared channel that it then dumped when the final scan was made. The only problem was that because of the distinct nature of their emulsions, black-and-white negatives and specifically Kodachrome slides could not benefit from this procedure. This made cleanup of these images a particularly laborious task that required patience, skill and select image editing programs. That’s all changed with a new breakthrough in scanning technology from LaserSoft Imaging called SRDx, which can work with scanners without the need for installed IR-channel capability.
SRDx, which comes in SilverFast’s Ai Studio 8 scanner software, is a dust and scratch removal clean-up tool for black-and-white negatives and Kodachrome. Here’s a screen grab of an initial scan from a Kodachrome shot at Coney Island, NY about 30 years ago.
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I do keep my slides in better shape than this although there were some glitches in the emulsion: I added some dust to put the software to the test. First, some background. LaserSoft Imaging is a software company that makes various scanning software packages, from simple to pro, for a very wide variety of scanners. Of note is that owners of no-longer manufactured (and no longer supported by the manufacturers) scanners, such as those from Nikon and Minolta, still have the opportunity to use this latest advance in scanning with their units. (You can check the list.) The company is rigorous in their updates and is always developing new tools for making quality scans from any format the scanner can handle.
Here’s a very small detail of a shot made on Tri-X in 1974. While stored in archival materials, tide and time did its number and there is embedded dust and some scratches on this negative, not atypical of work from that far back. Could SRDx help me rescue this image before it deteriorated more? The Software When I first got word of this new SRDx feature in SilverFast Ai Studio 8 I was eager to try it out. For many years, much of my work was on a variety of black-and-white negative films and while I was fairly diligent about proper archival materials for storage there were some inevitable mars and blemishes on older images. The same went for Kodachromes, my main choice for color transparencies. I had previous experience with SilverFast so knew the basic workflow.
(Type SilverFast into the Search box at the top of Shutterbug.com. David’s reviews were classics on both the product review and overall scanning tutorial side.) I contacted LaserSoft Imaging and downloaded the new software.
For this review I worked with Plustek’s OpticFilm 8200i scanner for 35mm film size. (You can find our previous coverage of this scanner.) I have a few golden rules for scanning. For starters, do not get too interpretive, that is, give yourself room to play and scan for as full a range of color and tone as possible. Secondly, do not be lazy about making corrections that you assume you can correct later. The latter is paramount because a film scan, while digital files result, does not have the leeway that a digital camera file provides: you are in essence “locking in” certain parameters when scanning.